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Ádám BODOR |
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1936
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1936 born in Kolozsvár (Cluj, Romania)
1950 studies at the Calvinist Academy of Kolozsvár
1952 imprisoned for five years for distributing political flyers and "subversive activities"; released in 1954
1955-60 studies Protestant Theology at Kolozsvár University
1960 works as an archivist
1964 works for a translation agency
1968-present freelance writer
1970-75 member of the Romanian Writers' Association
1982 resettles in Hungary
1984-present editor of Magvető Publishing House
1998 guest of the DAAD Artists' Program of Berlin
His prizes:
1970 Prize for Prose Writers, Romanian Writers' Union, 1975 Critics' Prize, 1975 Prize for Prose Writers, Romanian Writers' Union, 1985 Book of the Year, 1986 Attila József Prize, 1989 Tibor Déry Grant, 1989 Book of the Year, 1990 Artisjus Literary Prize, 1991 Prize of the periodical Magyar Napló, 1992 Oeuvre Prize of the Soros Foundation, 1992 Tibor Déry Grant, 1996 Pro Litearura Prize, 1996 Márai Prize, 1998 Laureate of the Hungarian Republic, 2002 Hungarian Literary Prize, 2003 Kossuth Prize
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1969 A tanú (The Witness; sketches, short stories)
1974 Plusz-mínusz egy nap, film adaptation by Zoltán Fábry (Give or Take A Day; short stories)
1980 Milyen is egy hágó? (What's a Mountain Pass Like? short stories)
1985 Az Eufrátesz Babilonnál (The Euphrates at Babylon; short stories)
1978 Megérkezés északra (Arriving North; short stories)
1981 A Zangezur hegység (The Zangesur Mountains; short stories)
1991 Sinistra körzet. Egy regény fejezetei (Sinistra District. Chapters of a Novel) Excerpts translated by Paul Olchvary, The Hungarian Quarterly, No. 149, Spring 1998.
1992, 1997 Vissza a fülesbagolyhoz, enlarged ed. 1997 (Back to the Long-Eared-Owl; Selected short stories)
1999 Az érsek látogatása (The Archbishop's Visit; novel)
2001 A börtön szaga. Válaszok Balla Zsófia kérdéseire (The Smell of Prison: Responses to Questions from Zsófia Balla)
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1992
Sinistra District. Chapters of a Novel
(Magvető)
Writer Clara Györgyei describes this outstanding work: "We are in the realm of the anti-utopia, a cursed, amoral totalitarian existence, poignantly familiar. The ambiguous setting, a metaphorical province is...somewhere in the Carpathian mountains of Romania, near the Ukrainian border. It is a dark, destructive, devastating region, a "freezing hell" whose inhabitants live in captivity, some in enforced bondage, some in self-imposed exile. This baleful, restricted territory, controlled by an impersonal, sadistic secret police and/or military force, is not merely a fictional communist camp or penal colony, but, as the title suggests, an absurd, post-modern gulag, an irrational survival zone of demonic proportions. The time is either the recent past or the near future - possibly a period following a nuclear holocaust."
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1999
The Archbishops Visit
(Magvető)
Another mythologically timeless novel situated in the Carpathian mountains, The Archbishop's Visit expands out into ever-widening circles. Bogdanski Dolina, a valley surrounded by piles of garbage that give off a sickening, soporific stench, is governed by the clergy, although rumour has it that they are the dreaded mountain huntsmen of the past, now bearded. The inhabitants are expecting the visit of an archbishop, and in the background a coup d'état is plotted. In the middle of the village there is a "hospital", a penal colony where real and alleged consumptive patients are locked for good. The laws of this world are amoral but logical, and the outsider soon conforms to them. According to fellow writer Lajos Parti Nagy, it is a beautiful and dry novel of passionate and economical hopelessness.
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2001
The Stench of Prison
(Magvető)
Following the practice of conversation-based portraits of writers such as Borges or García Marquez, this book is a reworked version of what was originally a radio interview, conducted by a friend and colleague, the poet Zsófia Balla, who likewise hails from Kolozsvár. Balla's questions therefore come with an insider's knowledge, but they are not intrusive. Roughly one third of the book is devoted to the story of Bodor's imprisonment, told in a dry and ironic tone, but it touches upon the grim political and intellectual climate that ruled Kolozsvár's particular version of Eastern Europe's common plight during the 1960s and 70s. Although there are appended bibliographies of Bodor's own works (including translations) and of selected articles that review or discuss them, this book is much more about Bodor's life, temperament and character. He has a reputation for being an intensely private person, but here he chats away companionably whenever the opportunity presents itself.
"I strongly suspect that if the people I write about didn't breed bears in the odious darkness of abandoned mine shafts, but cheerfully raised pigs on the heaven-lit Hungarian plains...my work would be much more uplifting, but no one would ever read any of it."
-Ádám Bodor
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